Years: 1968 - 1974
Styles: Experimental Rock, Folk Rock, Funk Rock, Psychedelic Rock, Rhythm and Blues
Charles Stepney - Electric piano, Harpsichord, Keyboards, Organ, Piano, Vocals
Mitch Aliotta - Bass Guitar, Vocals
Sidney Barnes - Vocals
Judy Hauff - Vocals
Minnie Riperton - Vocals
Bobby Simms - Guitar, Vocals
Ken Venegas - Drums, Vocals
Phil Upchurch - Bass Guitar, Guitar
Jim Donlinger - Guitar, Vocals
Jim Nyeholt - Organ, Piano
Tom Donlinger - Drums
Jon Stocklin - Guitar
Rotary Connection was a psychedelic soul band formed in Chicago in 1966 that lasted until 1971, and are possibly most notable for launching the formal singing career of a Chess Records' receptionist named Minnie Riperton. The highly experimental band was formed under artistic direction of Charles Stepney, at the behest of Marshall Chess, the then 25 year old son of Chess Records co-founder Leonard Chess.
Marshall was the director behind a start-up label, Cadet Concept Records, and wanted to focus on music outside of the blues and rock genres, which had made the Chess label popular. This led Marshall to turn his attention to the burgeoning psychedelic movement. He recruited Charles Stepney, a vibraphonist and classically-trained arranger and producer for sonic wizardry. Marshall then recruited members of a little-known white rock band, The Proper Strangers (Bobby Simms, Mitch Aliotta & Ken Venegas). Sidney Barnes, a songwriter within the Chess organization, also joined, as did Judy Hauff and a Chess receptionist named Minnie Riperton, who would later be successful in her own solo career.
The band released their self-titled debut album in late 1967. It plays like a melange of styles, borrowing heavily from pop, rock, and soul, but in a way that isn't entirely radio-friendly. The album also boasts an Eastern influence through its use of the sitar on "Turn Me On" and "Memory Band". Stepney's arrangements, brought to life by the Chicago Symphony Orchestra, imbue the album with a certain dreamlike quality; this would become a trademark of both the arranger and the mouthpiece.
The band returned in 1968 with a pair of albums, "Aladdin" and "Peace". The former was the group's proper sophomore effort, and it found Riperton assuming a more prominent vocal role than the "background instrument" status she had on the debut. The latter was a Christmas release, with strong pervasive messages of love and understanding for a nation in the grips of Vietnam. The album's cover art of a hippie Santa Claus more than makes its intentions known. Peace is notable for being involved in controversy: an anti-war cartoon in a December 1968 edition of Billboard magazine featured a graphic image of a bruised and bloodied Santa on a Vietnam battlefield.
Rotary Connection would release three more albums: "Songs", in 1969, a collection of drastic reworkings of other artist's songs, including Otis Redding's "Respect" and The Band's "The Weight" and Cream's "Sunshine Of Your Love". "Dinner Music" followed in 1970, in which they added elements of folk and country into the mix along with some electronic experimentation, and; "Hey Love" in 1971, where the band, oddly credited as the New Rotary Connection, ended its career with a jazz-oriented affair.
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